Winter Break Dispatch

*hacks through cobwebs with a machete*

Anybody here?

It’s been a long while, but I’m never really gone for good!

I’ve just been very busy, busier than usual—or whatever “usual” once stood for, back in my ancient professorial past—so blogging has fallen by the wayside. The little free time I do have goes toward recharging and working on my fiction.

Some updates for those who care about my literary pursuits (if that’s not you, you can skip this paragraph and the next): Last year in June, my second novel came out to great success and fanfare, where by great success I mean very, very modest and by fanfare I mean a virtual vuvuzela here and there on social media. Still, I’m pleased overall because the book found many more readers than the first, in part because I’ve learned a great deal about marketing and promotion between the releases. I’ve also made some nice short-fiction sales, fewer in number but greater in quality than in the past. I can’t believe it’s been eight years since I first started putting my fiction in front of other people’s eyeballs! 

In the first half of the new year, I will have a short-story collection and two novellas coming out. I’m really  excited about the collection, which is lean (featuring only about 20% of my short-fiction opus) and tightly organized around a theme. The novellas are for a particular line put out by my publisher and I absolutely loved working on them. The first novella might showcase my best writing yet, and the length is absolutely heavenly—long enough to tell a complex story yet short enough that the time investment isn’t too onerous and that I can indulge my inner short-story writer without bogging down the larger narrative. I have grand writing plans for the coming year, but more on that another time.

What will likely be of interest to readers here is my return to the plans for Academadness. I’ve set it aside for so long that I will essentially have to redo it, which will have to wait till the summer of 2026.

But enough about nonacademic stuff.

This past year, I graduated a couple of PhD students, one of whom I was happy to see go. The student was weak and I should have been firmer about dismissing them early, but instead I let them hobble for too long, not in small part thanks to Covid, and then I felt duty-bound to drag them across the finish line. I promised myself never again, because weak students drain the advisor’s energy, spend grant money without producing much, and bring the group morale down. It’s a mercy to everyone involved to cut them loose, and I didn’t do that. But what’s done is done now and I have tried not to beat myself up too much over this, without much success. On the upside, I’m very happy with the composition of my current group. They’re all strong and motivated, everyone’s creative juices are flowing, and we’re doing some excellent work.

Anyway, what’s the source of my excessive busyness? High-workload institutional service on top of regular duties (the regular duties being teaching, research and grant writing, and common professional service like reviewing papers and proposals and editing a journal, and institutional service like sitting on  committees). Namely, I have a big college-level role with hours of weekly prep, meetings, and paperwork and an important department-level role that requires a lot of interaction (mercifully, by email or videocall for the most part) with faculty, staff, and students, as well as lots of fuzzy planning and, again, paperwork. This work is not hard, I’m good at it and enjoy it on several levels, but my day is still only 24 hours, I’m not as young as I used to be (so I can’t borrow time from sleep by pulling all-nighters anymore without serious health penalty), and let’s face it, I don’t want to abandon my creative pursuits because they provide me with purpose and joy.

The busyness won’t go away anytime soon, but the upside is that I have plentiful blogging fodder … and hopefully more time to share it all here, at least during this winter break.

So what’s new with everyone? How has everyone been?


7 responses to “Winter Break Dispatch”

  1. Good to see you blogging again! My own blogging has been rather lax lately—I’ve been wasting too much time on Reddit. My creative activity has mainly been my acting hobby taken up in retirement, though I did manage to get a little pottery made in my pottery class fall semester (missed several sessions because of rehearsals for Midsummer Night’s Dream, in which I played Egeus for 12 of the performances and Robin Starveling in 5 of the 12). I’ll be taking a scene analysis course next semester and an arc-welding course. Community colleges are such a bargain in California!

  2. Good to hear from you, @gasstationwithoutpumps! Acting, pottery, arc welding? Your retirement hobbies sound amazing!

  3. The acting is the primary hobby—I often have to miss the pottery class because of rehearsals. The arc welding is so that I can help with set building at the community theater (I’ll do TIG welding later, so that I can build a new bike trailer). I won’t be able to do the pottery class next semester, as I can’t get to it in time after the arc welding class (I’d miss the first hour and a half, even if I skipped dinner).

  4. Great to see you back, and congratulations on the novels and short stories–wow! Like gasstationwithoutpumps, I’ve been wasting too much time on Reddit because I’ve been too tired to concentrate on real work. This is a #writinginspiration post if I ever saw one!

  5. Congrats on your writing successes! I feel like a bit of a cliche, getting into writing in middle age, but I’ve been spending some time playing around with writing picture books. It’s an insanely difficult business to break into, from what I’ve seen so far, but I am enjoying playing around with the ideas and still have some hope that it might go somewhere. Have you mostly self-published, or are you going the traditional publishing route? What has helped you refine your craft? I’m a scientist who took exactly one English class in college and was a bit mystified by the grading criteria, and I’m finding myself suddenly uncomfortable in a world where the criteria are so vague and it’s hard to know how to improve. I know how to have a conversation about the limitations of my modeling and statistics approaches, but not how to have a conversation about what does and doesn’t work in my dialogue. Have you ever taken creative writing classes, or are you just figuring it out as you go?

  6. Glad to hear you’re writing creatively!

    I think your questions deserve something like three posts worth of answers, but here is the gist:

    “Have you mostly self-published, or are you going the traditional publishing route?”

    Traditional. There is a lot of traditional publishing space between the Big 5 (where having an agent is a must) and self-publishing. Medium and small publishers, often specializing in specific genres, will also typically take both agented and unagented submissions. Some medium-sized publishers are highly reputable and coveted (e.g., Kensington) and some small ones have excellent taste and put out amazing, award-winning stuff (e.g., Bluemoose). My two novels and two novellas have been with a small genre publisher. The downside is that they don’t do much promotion, so I’m on my own, the upside is that it’s still traditional (so somebody other than me thinks my stuff is worth putting money into), I get professional cover art and editing, etc. People who self-publish either have a big audience already or are willing to grow it by frequently putting out books (much more frequently than I can, given the demands on my time) and relentlessly working ads and social media in ways that I have neither time nor inclination for, and would be too old, ugly, and boring for anyway even if I were willing to put my likeness out there, which I’m not.

    We can talk more offline, but IMHO for children’s lit your best bet would be to perhaps try querying a few agents, see if you get any bites or maybe get some feedback. Near as I can tell, children’s lit and nonfiction are ridiculously hard to get into, but neither is a genre I have deep knowledge of. QueryTracker (https://querytracker.net/) is your friend; most agents take queries through there. More on what agents want can be found here: https://manuscriptwishlist.com/find-agentseditors/agent-list/. There are a lot (A LOT) of resources online (YouTube etc.) on writing a compelling book query once your manuscript is ready. For example, BookEnds Literary Agency runs a channel with a lot of advice on querying. https://www.youtube.com/@BookEndsLiterary

    “What has helped you refine your craft? I’m a scientist who took exactly one English class in college”

    LOL I’m not even a native speaker, so I didn’t even have that one college class. However, I’ve written technical prose my whole career, then blog since 2010, then short fiction since 2017, then finally novels starting in 2023. I think some people are better than others, more creative, and have better natural command of the language, so they improve to stratospheric craft levels very quickly. I know a handful such people who started writing short fiction at the same time as me and now write full time, have lots of published books, major awards, movie deals. It would be easy to say I could’ve done that if I didn’t have the job and family I do, but the reality is that I’m probably only moderately talented (if that). On the other hand, there are plenty of worse people than me with way bigger egos, so I don’t think I’m too bad. As for my MO, I always have to give myself permission to do new stuff, which generally requires that I decide I’ve mastered something at a level I deem sufficient before I say, “OK. You’re ready to take this next step now.” Sometimes I worry I’m too conservative, but then I go read yet another novel where I think, “Wow. This should’ve been 30% shorter. You clearly never wrote short fiction,” so perhaps being a little conservative isn’t the worst thing.

    By the way, there are plenty of scientists (and for some reasons PLENTY of lawyers) who write fiction, so you’re not alone by any stretch. I have been writing fiction for 9 years now, and knowing other writers who write similar stuff, whose work you like and get and who like and get yours, is absolutely invaluable for improving. Writing a lot, editing a lot, reading and editing other people’s stuff, having other people (not randos—people whose work you like and get; I cannot stress this enough) read and comment on your stuff, reflecting on why something works and something doesn’t, reflecting on why people respond to a piece of fiction they way they do, writing, writing, writing… You have to read a ton (in your genre, but also cross-genre) and write a ton, and analyze what you felt when you read something and why, and just keep doing all of it a lot, honestly… Then submit stuff for publication, get rejected, dust off, revise, and keep going at it again and again until you get what you want.

  7. […] to protect the innocent (everyone, really) and the foolish (that would be me). So when lyra211 commented today, I jumped on the opportunity to respond, and will likely follow up with a series of posts […]

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